
Back in the seventies and eighties, zombie flicks were considered disreputable trash, little better than pornography. Cheap, nihilistic giblet-strewn gore-fests shelved at the back of the VHS rental store alongside other ‘adult’ titles.
But, these days, zombies have gone mainstream. Brad Pitt is filming World War Z. Walking Dead is a hit TV show.
So what changed? How have zombies captured the public imagination?
I have a theory.
Survivalist tales are parables of resilience in the face of social upheaval. The debt-fuelled prosperity of the nineties is over, and we have entered an indefinitely prolonged period of austerity. This economic gloom is not fully reflected in mainstream popular culture. US TV is still dominated by talent shows, forensic procedurals and lavish period sagas on HBO. But the science-fiction/fantasy genre acts as a collective subconscious. Our anxieties become monsters, and chase us in our dreams.
Let me give you an example.

Theoretically, these two tales are miles apart. Steinbeck’s story is direct polemic, gritty social realism. Walking Dead is fantasy horror for geeks. Yet, at heart, both sagas depict the same situation. Shattered communities. Social dislocation. Families struggling to find refuge.
That’s the paradoxical appeal of apocalyptic fiction. Escapist fantasy that is urgently, viscerally real.
Adam's new book, Juggernaut was released on the 16/02/12 from Hodder and Stoughton.
1 comment:
The Grapes of Wrath is one of my favourite books --if the tone and message is the same then this book is for me.
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