
It's functioning is overly complex and convoluted but Alexia eventually manages to master it by the end of the second book and forestalls several major crisis because of her new ability to gossip long distances. Unfortunately an aethographic transmitter only works if there is someone on the other end who knows she is going to transmit a message. Timing has to be perfect and in the very last book of the series Alexia herself is thwarted with by actions of others who use one of these transmitters against her.
In the end, I suppose Alexia would see aethographic transmitters as both blessings and curses, but necessary regardless.

As an author, of course, I like to litter my steampunk universe with devices that are pretty and spectacular ~ such as dirigibles and ornithoptors. However, as an archaeologist, I also try to never loose sight of the fact that inventors will come up with ridiculous gadgets as well in any given historical time period. The Victorians were noted for their love of the frivolous. For every porcelain bowl there was a moustache-protecting sippy-spoon. Thus Alexia also encounters such things as weighted skirt tapes that keep one's dress modest while sky floating or hair muffs, which are like ear muffs only with hair attached so the ladies always look like they are well coiffed yet keep their ears warm in those brisk aether breezes. One my most favorite things about the current steampunk aesthetic movement is its innate sense of whimsey. For me, it's important to highlight such silliness in my novels. I love the silly.
No comments:
Post a Comment