BOOK BLURB:
2000 AD Graphic Novels presents you with the very best in thrill-power. From all-time classics such as Judge Dredd and Strontium Dog , to cutting edge modern masterworks such as Leviathan , Rebellion are bringing you some of the finest works in British comics!Mega-City One: the future metropolis bustling with life and every crime imaginable. Keeping order are the Judges, a stern police force acting as judge, jury and executioner. Toughest of all is Judge Dredd. He is the law and these are his stories. Volume 12 in this exciting, best-selling series collects together more classic Dredd from the pages of 2000 AD.
REVIEW:
As a huge fan of Dredd its always magical when a title lands and it aids me to remember big chunks of my youth from behind the pages. Within this offering are tales that give the reader exactly what they want, the dark humour of an apocalyptic world where too many are forced to live in a world where Judge, Jury and Executioner walk the mean streets in one uniform. Its well written, the artwork beautiful and has definitely helped me to see some of the changes from the time to which it was written to now.
A great offering for the reader and something that fans the world over are just going to love as they escape our world to that of Dredd’s for a few hours.
BOOK BLURB:
Set within the events of the hit film, this exclusive story follows the villainous Nero as he seeks to destroy the Federation. Don't miss this essential chapter in the rebirth of 'Star Trek'!
REVIEW:
Fans of the Star Trek Universe are just going to love this prequel graphic novel. With beautiful artwork and a tale that backs up the recent film it’s going to be a worthy companion for all concerned. Add to the mix a story arc that really will set fans to warp factor six that gives greater depth to Nero alongside the run in with Spock with recogniseable actor characterisations and it really does hit all the right notes.
BOOK BLURB:
Embark upon a fantasy art expedition around the world and discover how to draw and paint must-know supernatural creatures and fantastic characters. For each of the 12 locations there is a map, an explanation of the site's lore, and a detailed step by step demonstration showing the development of the key character. Projects demonstrate a wide selection of both traditional and digital drawing and painting techniques that can be widely applied in fantasy art. This is a complete, unique and attractive package that seamlessly binds the world of mythology and practical art instruction together for beginners and improvers.
REVIEW:
I’ve dealt with Finlay’s art tutorials prior to this offering landing and to be honest, he’s definitely one who believes in leading from the front in his tutorials. He gives the reader clear, concise and often invaluable information to aid in their creature creation in such a way that you’ll find your technique improve with each piece of art that has taken years for established artists like Finlay to learn. It’s solid, its easily accessible for those of all artistic ability and its definitely an offering that will help inspire you to reach that next stage in their work. A definite treat for artists of all ages.
BOOK BLURB:
Harry Exton was a Button Man, a player in the lethal Killing Game, where modern-day gladiators fought for the pleasure of the mysterious Voices, the rich backers who set up the contests. But Harry quit, leaving the country and the slaughter behind him - only to find out that no one walks away from the Game and lives.
REVIEW:
Button Man is a character that I don’t recall very well from my youth so it’s always going to be fun to try something a little different alongside new from someone that you trust implicitly due to the fact that they always hit the spot before.
Button Man is a series of tales based around a hitman who entertains the rich by assassinating their own “Button Men” in different locations in what is technically a duel to the death where no rule but your own survival counts. This offering follows the tale of a former button mans daughter who witnessed her fathers murder and has been seeking revenge against those who perpetrated the deed. Well written, strong dialogue, this offering of death and destruction will give the reader goose-bumps as they weave their way through this tale of murder and mayhem. A great offering and one that will definitely appeal to many of 2000AD’s fans.
Hail Mighty Reader,
You're probably wondering where the YA/Childrens titles are this week. Well worry not, we've done something a bit special and set up our own seperate sister site dedicated to these titles. It's going to be fun so please follow the link below to view them. This week we've got one a day and hope to continue this but only with your continued support.
All feedback greatly appreciated and we hope that you have as much fun as we do with them.Gareth/Tatty
BOOK BLURB:
Wyman Ford is tapped for a secret expedition to Cambodia to locate the source of strangely beautiful gemstones that do not appear to be of this world. A brilliant meteor lights up the Maine coast. Two young women borrow a boat and set out for a distant island anxious to find the impact crater. A scientist at the National Propulsion Facility discovers an inexplicable source of gamma rays in the outer Solar System. He is found decapitated, the data missing. High resolution NASA images reveal an unnatural feature hidden in the depths of a crater on Mars - and it appears to have been activated. Sixty hours and counting.
REVIEW:
Having just read Douglas’ last offering I really wasn’t expecting that much, a bit of escapism, a touch of fast paced action but that’s about it. What unfurled blew the last piece out of the water.
The concept was fresher, the characters a bit more rounded (if still a bit boring) and a good bit of fun was finished off with the author’s trademark pace with a bit more believable science. It won’t win awards but the concept was pretty good alongside a great bit of mystery. Definitely worth a punt if you want a bit of Action escapism.
BOOK BLURB:
Deep in an Arizona mountain, the world's largest supercollider will probe what happened at the very moment of creation: the Big Bang itself. The brainchild of Nobel laureate Gregory North Hazelius, the supercollider, given the name Isabella, is the most expensive machine ever built. Some people think it may unlock the mysteries of the universe. Some think it will create a mini black hole that will suck in the earth. Powerful televangelist Don T. Spates thunders that Isabella is a satanic attempt to disprove Genesis and challenge God Almighty on the very throne of heaven. He'll do anything to stop Isabella from reaching its goal.When Hazelius and his team of twelve scientists start up Isabella, they make an extraordinary discovery - one that must be hidden from the world at all costs. Wyman Ford, ex-monk and CIA operative, is hired by the US government to wrest from the team their dark secret. A secret that will either destroy the world ...or save it.
REVIEW:
What Preston does in this offering is to travel a road that’s been pretty much stomped flat in recent years with the Secret Cults, mysterious installations and sciences of the type that only weird haired meglomaniacs could dream.
Whilst that is pretty much the premise backed up with a few more touches the story arc is pretty predictable and if we’re going be honest here nothing new. But what you don’t take into account is the sheer pace that Preston exudes upon the piece. It is simplistic, it is full of the weird and wacky but if you just accept it and go for the ride its not half bad. Whilst it won’t break any records it’s a silly enough distraction from the real world to give you a few hours respite and was a good bit of fun for this but that’s all.
Author's are renowned for at times being a touch on the mad side, at least compared to the usual worker as they're frantically thought of as scribbling/typing away into the small hours, laughing manically as the lightning crashes around them, screaming "IT'S ALIVE" to all who'd hear them....
That said, it's comes as something refreshing when a newly minted author comes to the fore and helps us mere mortals understand thier route to the publishing world, albeit tongue in cheek at times.
Here Stacia chats to us about human sacrifice, working to deadlines but above all else and how to cope with the witching hour... Falcata Times: Writing is said to be something that people are afflicted with rather than gifted and that it's something you have to do rather than want. What is your opinion of this statement and how true is it to you?Stacia Kane: Hmm. I wouldn't really call it an affliction, no. And I wouldn't say it's something I absolutely have to do. But I will say I feel better when I'm doing it, and I start to get antsy and depressed if I go too long without it. It's funny, actually, because I always sort of sniffed when I heard people say things like "Writers are writers because they have to be" or whatever. But then I realized, not only had I always wanted to be a writer, but would I have started doing it, and kept at it, if it wasn't "meant to be?" You know what I mean? I guess I did have to be, and it did find me, although I ultimately made the choice. FT: When did you realise that you wanted to be a writer?SK: I remember thinking it for the first time when I was little, maybe four or five? When I was about seven I actually wrote a book--handwritten, on spiral paper--and sent it to, I think, HarperCollins. They actually sent me a form rejection, which I thought was just the coolest thing ever (and still think was an awfully sweet thing to do.) Of course, as time went on my ambitions changed; I remember wanting to be a race-car river, a nurse, a teacher, a fashion designer, a mechanic... But the desire to be a writer was always there, still, and when my first child was about a year and a half old I realized that since I was home with her, that was my chance.FT: It is often said that if you can write a short story you can write anything. How true do you think this is and what have you written that either proves or disproves this POV?SK: Short stories actually aren't my forte, at all. I can write them, but I'm never really happy with them or confident about them. I don't necessarily agree with that, either. On the one hand, short stories by necessity teach you brevity, economy of words, and how to be concise. On the other, they don't teach you how to plot a novel, and don't necessarily prepare you for one. I can write a rough draft of a short story in a week, but a novel takes a couple of months. I think if I was used to the instant gratification of shorts, the novels would feel a lot harder than they doThat isn't to say shorts aren't wonderful, or that people who enjoy writing them can't write novels or wouldn't be good at it. I don't at all believe that's the case. I'm just talking about me personally. FT: If someone were to enter a bookshop, how would you persuade them to try your novel over someone else's and how would you define it?SK: I'd smile charmingly and bat my eyelashes. Maybe point out my lovely and waif-like daughters, who need food and clothing? Ha ha, no, not really. I'm not good at this sort of thing; I'm really uncomfortable pushing my books or myself. But I would tell them that it's a book with some very unusual characters, in what I think is a very unique world, and that it's scary and exciting and different. And I hope that's true; of course I think it is, but I would, wouldn't I? FT: How would you "sell" your book in 20 words or less?SK: Ghostbusters meets Escape From New York, with punk rock, greasers, black magic, human sacrifice, drugs, and muscle cars. FT: Who is a must have on your bookshelf and whose latest release will find you on the bookshops doorstep waiting for it to open?SK: Oh, hmm. Neil Gaiman. Mark Henry. Richard Kadrey. Caitlin Kittredge. Cherie Priest. Richelle Mead. John Meaney. FT: When you sit down and write do you know how the story will end or do you just let the pen take you? ie Do you develop character profiles and outlines for your novels before writing them or do you let your idea's develop as you write?SK: Oh, no. Often I have some idea how it will end--I know the heroine will win, or I have an idea where the final confrontation will take place--but I never plan books in advance. It makes them feel "done" to me and I don't get as excited about them.I don't do character profiles, either. I usually know the main character pretty well, and have some idea of who the secondary characters are, but they all develop further as we go along. Sometimes they surprise me, the way they react to things or the fears or likes and dislikes that pop up. It's fun, getting to know them. FT: What do you do to relax and what have you read recently?SK: To relax? I read, I cook, I hang out with my husband, I watch tv, I drive. And recently I've read BONE SONG by John Meaney, THE SEX LIVES OF CANNIBALS by J. Maarten Troost, THE VICTORIAN UNDERWORLD by Donald Thomas, BONESHAKER by Cherie Priest, and WIVES OF THE FISHERMEN by Angela Huth. I tend to read a bit of one book, then pick up another, then back to the first. And I'm reading a ton of nonfiction about the Victorian age because I'm working on a project set during that period. FT: What is your guiltiest pleasure that few know about?SK: Ooh, that's a tough one! I'm pretty open about my guilty pleasures! I sometimes like to eat just popcorn or french fries for dinner. Sometimes at night I'll watch silly reality TV specials. Especially the ones about people who have that gastric bypass surgery. I'm fascinated by those for some reason.FT: Lots of writers tend to have pets. What do you have and what are their key traits (and do they appear in your novel in certain character attributes?)SK: Nope, no pets, actually. I love animals, but at the moment we don't have any; we've just been moving around too much, and with two young children we thought it was better to wait on pets for a while. Plus I'm allergic to cats and my husband is allergic to dogs. Neither of us are horribly horribly allergic, but it does make finding a pet harder; we have to find one that doesn't bother our allergies too much. FT: Which character within your latest book was the most fun to write and why?SK: Oh, they were all so much fun! Honestly, though, I think I'd have to say Bump. He's such a sleazeball, and so manipulative (although he does actually have a little bit of a heart, which we'll discover in later book if the series continues, which I certainly hope it will). I love his horrible tacky house and his crazy clothing and the fact that he says things like "Can't keep my ladies waiting" when he's about to go to bed. It's just total fun to write him; I can be as outrageous as I want. FT: How similar to your principle protagonist are you?SK: Well...Chess and I are actually pretty similar, yeah. Our outlooks on the world are similar; a lot of our feelings are the same. We both struggle with self-destructiveness and self-hatred and depressive issues. So she's really the most personal character I've ever written. I wouldn't say she *is* me, exactly, but we absolutely do have a lot of things in common. FT: What hobbies do you have and how do they influence your work?SK: My work is my hobby! No, actually, I'd say cooking is really my only hobby. I mean, I have activities I enjoy, but nothing that I'd really call a hobby. FT: Where do you get your ideas from?SK: Oh, anywhere and everywhere! Usually it will be just something I see; a particular image, or a line in a news story or TV show or movie that sets off some kind of spark. And then I start really thinking about them, and seeing how much of a story I can really get out of them. I have a lot of ideas written down that I loved but that just didn't have enough depth to really become a novel.FT: Do you ever encounter writers block and if so how do you overcome it?SK: Um, not really, no. I really can't allow myself to have it; I have to keep pushing through to meet my deadlines and things. I do of course have days or even weeks where every word is a struggle and I'd rather be doing anything in the world, even scrubbing public toilets by hand, rather than writing. But you still keep pushing, and usually within a few days the pressure or whatever it is lifts, and the words start flowing again. FT: Certain authors are renowned for writing at what many would call uncivilised times. When do you write and how do the others in your household feel about it?SK: Haha, I definitely write at uncivilized times. Sometimes I work in the afternoon, and that's usually a fairly productive time for me, but not for long. I get a burst of energy from, say, three to four, but after that it's gone. So most of my work is done at night after everyone goes to bed, and I might be up until three or four in the morning. My girls don't mind, of course, but my husband does wish I'd go to bed at the same time as him sometimes. I usually try to do that at least once a week, unless I have a deadline or just a lot of work piled up. FT: Sometimes pieces of music seem to influence certain scenes within novels, do you have a soundtrack for your tale or is it a case of writing in silence with perhaps the odd musical break in-between scenes?SK: The books do have soundtracks, yes; music I listened to in the car while I thought about them, for example, and most of that music is also mentioned in the books. I plan to set up some playlists on iTunes as well, and post them on my website. But when I'm actually working I rarely listen to music. I have the TV on in the background, or silence. When I really get going I don't hear the music anyway, so while it sometimes is fun, I normally just don't bother. FT: What misconceptions, if any, did you have about the writing and publishing field when you were first getting started?SK: Oh, the basic newbie ones, really. That getting published would be pretty easy, and that authors make loads and loads of money. Neither of those are true. FT: If music be the food of love, what do you think writing is and please explain your answer?SK: Writing is the food of the soul. And the brain, but chiefly the soul, I think. Writing is the ultimate expression of what's inside you; it's the ultimate expression of how you see the world and how you feel about it. And when you're giving something of yourself like that, it takes something out of you but I think it also puts it back. FT: What can you tell us about the next novel?SK: Oh, that's a great question! Do you know, nobody else has asked me that? I don't want to give any spoilers, but I will say things in Chess's life get a lot more complicated, especially in her personal life. She has two very perplexing mysteries to solve this time, and they lead her into some really dark parts of Downside. We learn more about the Church, more about her past, more about the world, and we learn a big secret Terrible's been keeping. Plus murders, chases, crematoriums, and the usual excitement and ghosts and scary things! FT: What are the last five internet sites that you've visited?SK: The Absolute Write Water Cooler, Twitter, Publishers Marketplace, IMDb, and Cake Wrecks. FT: Did you ever take any writing classes or specific instructions to learn the craft? If so please let us know which ones.SK: I didn't, no. But I did spend a lot of time reading Miss Snark's blog, and Evil Editor's blog, and on Absolute Write. I learned a lot there about writing clean, about grabbing readers from the first page, and about making sure every detail adds something to the world, the characters, and the story. I also bought Self-Editing for Fiction Writers, by Renni Brown and Dave King. I think it helped me more than any other book; it's fantastic. I felt my work improve as I read it. FT: How did you get past the initial barriers of criticism and rejection?SK: I just refused to give up. I knew I had something I wanted to express, and I had a goal, and I wanted to reach it. And I think because I started publishing fairly early on, and because I could see my work improving with every book, I was inspired to keep going.I also learned very early on that rejection isn't personal, and that it doesn't necessarily mean the work isn't good. It just means it isn't right for that particular agent or house. Yes it's disappointing, but you just move on. There's always going to be someone else to query, and failing that there's another book to write, and maybe that one will be the one. FT: In your opinion, what are the best and worst aspects of writing for a living?SK: The best is absolutely that I get paid for doing what I love to do; it's a dream come true. And I love getting emails from readers, or having them talk to me on Twitter or comment on my blog; it's just wonderful, and I'm so grateful for each and every one. That's amazing.The worst part? The isolation. The days when you're not sure if your work is actually any good. The days right before a book is released (like now), when all you can think about is the release and how you hope the book will be successful, and how much you want readers to love it. You want to make them happy, and entertain them, and give them something special. But deep down you're terrified and convinced it will be a huge enormous bomb and everyone will hate it, and that's an awful feeling.Plus sometimes my hands and wrists hurt, which isn't good.Thank you so much for having me, and for these great questions! They were tons of fun to answer!
BOOK BLURB:
The first book in a compelling new urban fantasy series, The Downside Ghosts. Murderous spirits and ruthless drug dealers combine to create serious problems for fiercely independent heroine, Chess, in these fast-paced, sexy and addictive novels -- fitting for a witch with a serious drug problem. The world is not the way it was. The dead have risen and constantly attack the living. The powerful Church of Real Truth, in charge since the government fell, has sworn to reimburse citizens being harassed by the deceased. Consequently, there are many false claims of hauntings from those hoping to profit. Enter Chess Putnam, a fully-tattooed witch and freewheeling Debunker and ghost hunter. She's got a real talent for nailing the human liars or banishing the wicked dead. But she's keeping a dark secret from the Church: a little drug problem that's landed her in hot and dangerous water. Chess owes a murderous drug lord named Bump a lot of money. And Bump wants immediate payback. All Chess has to do is dispatch a very nasty species of undead from an old airport. But the job involves black magic, human sacrifice, a nefarious demonic creature, and crossing swords with enough wicked energy to wipe out a city of souls. Toss in lust with a rival gang leader and a dangerous attraction to Bump's ruthless enforcer, and Chess begins to wonder if the rush is really worth it. Hell, yeah.
REVIEW:
Having heard of Stacia a good while ago from friends at the Reluctant Adult’s book blog (if you haven’t checked it out you should do as there’s a lot of Urban Fantasy talent over there) I really couldn’t wait to get the details as the book blurb really was nifty.
Within was a protagonista with a drug habit, who was also struggling to deal with her psychic abilities alongside a changing world and one that has the majority of people in poverty. This not only allowed the reader to not only form a strong bond with her but also aided the reader to sympathise with a world that’s literally gone to hell. Not only is this a brave move on the authors part but will be something that will either have readers raving or ranting at her creativity.
Don’t get me wrong, I love the authors writing, the characters are rich, the story arc will keep you gripped and the dialogue is not only sharp but witty to help lighten the sombre setting. It’s brave, it’s a great read but above all else it’s the depth and complexities of the characters that makes this a wonderful read for me. Stacia is definitely a name to watch and with the other two titles to be released shortly will definitely keep a readers glued to see what else shall unfurl.
BOOK BLURB:
No one ever wants to serve in Hell...The Seven Deadlies, a demon club in Philadelphia, has always catered to the most attractive and desirable hosts. Recently, though, more and more of the lower dregs of society have been showing up with demons of their own - in alarming numbers. Morgan is sure that Dougal is behind this, but isn't sure why. Is Dougal building an army to snatch the throne of the demons from Lugh? If there's one person who can get to the bottom of this, it's Morgan Kingsley, but caught between her mortal lover Brian and the demon she lusts for, Lugh, it's going to take everything she has to keep her head - and heart - in the game.
REVIEW:
Having read and enjoyed the other titles in this series, I was a little apprehensive as to how the author was going to conclude so many threads in so short a time. Back that up with the previous offering that felt like it had stalled slightly, to allow the author a tad more time to reach the epic finale that the readers have been demanding will make this a make or break title for her as a writer.
What unfurls within this offering is a title that really felt that it was a bit of a let down, as if the last part of the bake on a superb soufflé was giving great promise only to go flat in the final part. The character as you’d come to expect was just as strong but rather than an explosive ending it felt more like a sad little poof instead of the bang you’d expect after such careful sculpting in the previous offerings.
That said however the writing is as engaging as ever, the dialogue just as haunting but above all it’s the character ménage a trios interaction that is the piece that really will keep you hooked. With a ton of threads still left to conclude this may not be the final title as has previously been claimed and I for one hope that Jenna will reexplore these in the future to give all the readers the ending that they not only demand but deserve for their expectations.
BOOK BLURB:
This is the second full colour Slaine story, where he is brought back to life by the goddess Danu to battle with his arch enemy Ellfric. The story is set in Roman Britain.
REVIEW:
OK, I’ll admit it right here, I love the tales of Slaine. They were a staple part of my comic reading as a kid and something of a guilty pleasure now as an adult (I even own some original Slaine Art from some of the early issues). Here in this latest compendium is a number of stories that do what 2000AD have always done best, let the warrior loose to unleash his fury on the enemy. Great story arc’s and with a touch of genius for the dialogue between our protagonist and his comedic sidekick dwarf and you pretty much are guaranteed a satisfied read. Slaine, I raise a glass of mead in your honour Slainte.
When you have a brother who's already an author, getting people to take you seriously for your writing is something thats always going to be a tricky.
What Alex has done however is establish himself not only in a seperate genre but with a concept thats so frighteningly realistic that the reader gets not only goose bumps but the feeling that someones walked over their grave.Add to this not only a talent for Science Fiction but a newly established series in the Young Adult genre (Timeriders whose review can be viewed at Tatty's Treasure Chest) and you know that he's going to deliver something equally as good for readers of all ages.
Here we chat to Alex about changes, how he's adapted and what he wish he could have told himself when he was initially starting out...Falcata Times: How would you say that your perspective has changed about selling your own work with multiple novels under your belt?Alex Scarrow: Interesting question. When last time you interviewed me, I think I'd only just released A THOUSAND SUNS and was anxious for it to make as big a splash as possible, because my concern was that it might just be the one and only decent book I had in me. I look back now and feel mightily relieved that that wasn't the case. It's not uncommon for authors to find the biggest hurdle to be Book 2; wondering if their debut novel was merely a flash in the pan.FT: How would you sell yourself as an author?AS: A writer of hi-concept thrillers.FT: How would you say that your experience of writing and publishing has changed your method's of writing?AS: I don't think my writing has changed at all as a result of my dealings with publishers. Other than, of course, now that writing pays the bills, I'm a lot more disciplined. I write a first draft that is utterly abysmal and I would cringe at the thought of anyone slapping their eyes on. I then edit into a passable 2nd draft with feedback from my wife and my editor and a small cadre of beta readers, and then I polish to a golden sheen that fantastic 3rd draft that ends up in front of the general public.FT: With the experience that you've gained now, what do you wish you could have told yourself when you were starting out that you now know?AS: Series. Start with a series. Always. Absolutely. In summary....start with a series. It was difficult for me in that A THOUSAND SUNS, the book that got me published, really didn't have any series potential, so I was committed to writing standalone thrillers from the off. But...I was keen to get some sort of series on the go alongside the thrillers as quickly as possible, which is where TimeRiders came from. But...if I'd been smart, from the get-go, even before being a published writer, I should have led with something like TimeRiders.FT: What characteristics of your protagonists do you wish that you had yourself and why?AS: Nothing really....since I tend to like creating fallible protagonists. I like a 'hero' who stubs his toe during the chase, and whinges about it for the next five minutes. I like a hero who simply screws things up from time to time; who doesn't speak five languages and know seven martial arts; who can foil the bad guys and get the girl in the end. I'll go as far ast to say I despise books that cast the hero that way. I saw a film a couple of years ago that featured pretty much a perfect replica of the type of 'heroes' I usually have in my books; the movie was Children of Men and it was Clive Owen's character; a guy reluctantly trying to do the right thing, quite ineptly at times and totally out of his depth for the entire movie.FT: Which of your characters are most like you and why?AS: So...following on from the previous question really....my main characters are all a bit like me. Obviously slightly younger, and probably fitter, but still guys who're more used to farting around behind a desk and answering emails than trading blows with bad guys.FT: What of lifes little addictions could you not live without and why?AS: Coffee. I used to smoke a pack a day (or more actually) but I quite 9 years ago. I do like a glass of red wine. And I do love my food.FT: With regular trips for book tours around the country as well as to various Conventions, what is an absolute travel essential that you couldn't do without?AS: My laptop. I tend to travel by train more than car, which presents me with perfect 1 or 2 hour slices of time to write. Bloody laptop batteries are rubbish though, aren't they?FT: Previously you've had some problems when others have critised your work, how do you think you've changed to adapt to it or would you say that you're just the same?AS: Really? I'm not aware I had problems with people criticizing my work. Obviously not everyone is going to like what you do. You'd be a very naive writer to expect that. Hmmm...I'm actually a little taken aback by that question.....errr......so to try now and answer it, I guess I'm no different in my response to criticism - you get a bad review, you live with it. It really is daft to get angry if someone doesn't like what you write.FT: On long journey's, reading is often the pleasure of choice, who's work will you grab at the airport to ensure a good journey?AS: I still love Nevil Shute's writing; 'On the Beach, 'Requiem for a Wren' are classics for me. Stephen King's earlier books still have some magic.FT: Out of all your novels, which is your favourite and why?AS: I think LAST LIGHT and the soon to be published sequal, AFTERLIGHT, primarily because they're not just pieces of fiction, they're actually about an issue close to my heart; peak oil. But also because they feature characters who were inspired by members of my family. So it's very personal....and I still fill up when I read a certain chapter in each book.FT: With everyone having thier own personal view as to who should be cast in a film version of thier work, who do you think should play your principle protaganists and why?AS: I'd really grind my teeth if having sold the film rights to one of my books it ended up starring some pretty boy like Brad Pitt, Tom Cruise or Ashton Kercher. I'd far sooner have a Bob Peck, Clive Owen, Peter Postlethwaite, Martin Freeman, Kris Marshal (Love Actually, BT ads)...and on the Hollywood side, Joaquin Phoenix, and...and....nope that's it. Basically guys who look 'regular'.FT: Authors are generally a superstitious lot and upon completion of novels follow a certain ritual, what is yours and how has it changed from the original?AS: No ritual, I'm afraid No single cigar and a bottle of champers a la MISERY. It's usually a case of moving onto the next book to begin plotting. Or editing, or something.FT: What was your impression of an authors lifestyle and status and how has that interpretation changed since you've published a number of books?AS: I think like anyone else, I thought it would be a glamorous lifestyle full of wistful musing and fab parties. Well...it is partly, but in between the cool stuff are thousands of man-hours of tapping away on a keyboard in complete isolation. Which is about as unglamorous and depressing as it can get...hence I tend to take my laptop with me out of the house and into town to work in a cafe; at least that way I feel like I'm still part of the human race and not the last man on earth.FT: What are the best words of wisdom or tip that you'd give to a new or soon to be published author?AS: Listen closely... DO NOT ATTEMPT TO APE WHAT'S SELLING WELL RIGHT NOW. Got it? If you do, you'll be amongst a tidal wave of manuscripts all about the same ol' ****. The trump suit (even more so than good writing) is an original idea, or, atleast an original twist on an old idea. Seriously, by the time a concept has become mainstream (eg: Twilight, other 'Dark Romance' stuff) you've missed the boat.
BOOK BLURB:
The world lies devastated after the massive oil crisis that was described in LAST LIGHT. Human society has more or less entirely broken down and millions lie dead of starvation and disease. There are only one or two beacon communities that have managed to fashion a new way of living. Jenny Sutherland runs one of these groups. Based on a series of decaying offshore oil-rigs - for safety - a few hundred people have rebuilt a semblance of normality in this otherwise dead world. But as she and her people start to explore their surroundings once again, they start to realise not every survivor has the same vision of a better future than their catastrophic past. There are people out there who would take everything they have. War is coming, and the stakes are truly massive...
REVIEW:
Alex Scarrow’s writing is definitely the thinking man’s sci-fi. Whilst he isn’t too futuristic with his writing it hits the notes for some of the worries today in the world of tomorrow and how things go to pot as mankind descends back to the dark ages in days/months rather than years.
As usual with the author the writings crisp, the descriptiveness almost hauntingly real topped off with a dialogue that will keep you hooked as the protagonist struggles through this dark tale. A great offering from Alex and one that demonstrates that he gets better with each offering. Magic.
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Space Marines and their evil counterparts, the Traitor Marines, epitomise the wartorn Warhammer 40,000 universe. This short story collection focuses entirely on these superhuman warriors, telling high-action tales of heroism and savagery. Combining the talents of Black Library favourite authors such as Mike Lee and Nick Kyme with hot new talent, this collection is not to be missed.
REVIEW:
A title of short stories set within the 40K universe with something to please all readers. Add to the mix that it’s a great opportunity to try new authors and see if they’re to the readers taste and you pretty much have a gem of a title that really would be difficult to beat. Definitely a title that will make you laugh, make you cry and have you on tender hooks as you await the fate of all concerned in a Universe where the good guy’s don’t always win and evil can tempt even the most stalwart warriors proving that the difference between the foes is often only a matter of perspective away.
Hail Mighty Readers,Here's this months round up of previously reviewed titles that have either been released in PB format or have undergone new binding/artwork. (Covers in review may differ from current incarnation.)This month you'll find:
Death and Dishonour - Graham McNeill
Frostbitten - Kelley Armstrong
Hush, Hush - Becka Fitzpatrick
Dust of Dreams - Steven Erikson
Day of the Damned - David Gunn
The Edge of the World - Kevin J AndersonLEVIATHAN - Scott WesterfeldHopefully you'll find this feature of use,Gareth
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The recession that grips the world has left it exhausted. Crime is rising in every major city. Financial institutions across the world have collapsed, and most governments are now in debt to The Bank, a company created by the world's wealthiest men. But Detective Inspector Cass Jones has enough on his plate without worrying about the world at large. His marriage is crumbling, he's haunted by the deeds of his past, and he's got the high-profile shooting of two schoolboys to solve - not to mention tracking down a serial killer who calls himself the Man of Flies. Then Cass Jones' personal world is thrown into disarray when his brother shoots his own wife and child before committing suicide - leaving Cass implicated in their deaths. And when he starts seeing silent visions of his dead brother, it's time for the suspended DI to go on the hunt himself - only to discover that all three cases are linked . . . As Jones is forced to examine his own family history, three questions keep reappearing: what disturbed his brother so badly in his final few weeks? Who are the shadowy people behind The Bank? And, most importantly, what do they want with DI Cass Jones?
REVIEW:
This offering is a bit of an unusual one in my book. It blends a crime novel with Urban Fantasy alongside a touch of Sci-Fi and the amalgamation is something that really does work well. Rather than being more UF than Crime as is normally the case in these offerings, its predominately situated as if it were a crime offering with only a touch of Urban Fantasy/Sci-Fi added. It’s pretty gripping, its characterisation is stunning but above all this is a breakthrough debut for a really talented author which goes to show that Gollancz really have their finger on the pulse. Definitely make sure that you give this one a go.
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Found semi-naked in the treacherous Strait of Gibraltar, the mysterious man called Columbus appears to be just another delirious patient, until he begins to tell the 'true' story of how he famously obtained three ships from Spanish royalty. It's Nurse Consuela who listens to these fantastical tales and tries to make sense of not only why this seemingly intelligent man has been locked up, but also why she is so inappropriately involved with his story. Something terrible caused her patient's break with reality and she can only listen and wait as Columbus spins his tale to it's dramatic end. Simultaneously, Emile Germain, an Interpol officer based in France is searching for a man - presumed dangerous - missing from the scene of a crime. All paths lead to Spain, where Emile, unbeknownst to the doctors at the Sevilla Institute, is unraveling more than just one mystery...
REVIEW:
At time’s you read a novel that just jumps out at you and remains in your memory long after the final page is turned. That is exactly what you get in this offering from author Thomas Trofimuk. Its thoughtful, its emotional but the strongest quality within this tale is the whole host of characters who just step from the pages into your imagination and refuse to leave. It’s a great tale told from multiple points of view with some well placed info-dumps that feel like its just a tip bit tossed out to help verify the truth of the tale back that up with some cracking dialogue and you know that this is a real gem of a novel. Mainly I’d recommend this to any reader looking for something different that plays on a number of themes from romance through to historical fiction as well as dabbling within the Thriller genre but if you loved The Time Travellers Wife, then make this your next purchase.
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Kelley Armstrong's gripping and imaginative short stories are brought together in a fantastic new collection. A young vampire learns the heavy price of his new existence; black witch Eve Levine meets Kristof Nast, her soul mate and her nemesis; Lucas Cortez, lawyer, sorcerer and unwilling heir to his father's Cabal, sets out on a case that will change his destiny; Paige Winterbourne discovers just how fraught a white (witch) wedding can be and Elena Michaels begins her unwitting journey to a new life ? as the only female werewolf in the world ...These brilliant, self-contained stories are a perfect introduction to the series and a wonderful addition to the existing novels. Tales From the Otherworld will delight fans and curious new readers alike.
REVIEW:
Kelley is a not only a long time addiction of mine but I’d like to think a friend who’s helped me through hard times with her creative world-building. Here in her second charity novel, is a collection of additional short stories that have wowed the fans for a few years. Add to the mix the return of firm favourites, some tales of a prequel nature and you really get a book that fleshes out the world and characters in greater detail. A real treat for many readers and one that will establish a deeper mythos in the tales that have been cried out for and requested by a great many readers.
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During the day, Maxine's tattoos are her armour and she is invincible. At night they peel from her skin to take on forms of their own, leaving her human and vulnerable, and revealing themselves to be demons sleeping beneath her skin. But these demons are the best friends and bodyguards a woman could have. And Maxine needs bodyguards. She is the last in a line of women with power in their blood, trained to keep the world safe from malignant beings who would do us harm. But ten thousand years after its creation, the prison dimension that kept the worst of these from us is failing, and all the Wardens save Maxine are dead. She must bear the burden of her bloodline and join the last wild hunt against the enemy.
REVIEW:
Readers of Urban Fantasy will probably be steered pretty darn well by the glowing recommendation on the cover of this title as Marjorie creates a new concept in the world of the Urban Fantasy Heroine. Yes, she has a smart mouth, yes she kicks ass but it’s the way that her uniqueness are presented that make this quite a novel idea. For what makes this character pretty darn sweet is the tattoo’s that protect her during the day and the demons that peel off and aid in her protection at night. As the last surviving Warden from an ancient bloodline it means that we have a sense of history, a sense of belonging as well as creating a total sense of being alone in the world bar the gift that she (as well as the other bloodline) receives during the previous hosts death.
Beautifully written with concepts that meld a world to a new way of thinking backed up with a heroine who readers will come to love for her weaknesses as well as her strengths, its clear that Marjorie has done not only her homework but also written in a genre that she clearly loves. Its this that embellishes the story, taking it forward and above all else creating a character that will stand for a long time in the readers memory. Great fun from a new author and one that I can’t wait to see how her writing career develops.
Authors have been described as many things but lets just say that in order to run Clint Werner to ground is more than a full time job for any Bounty Hunter (Brunner included.) In fact many would say that he's learned from the master with a certain Grey Seer's help.
Luckily for us we managed to find the hole that he'd bolted to and grab a word with this elusive author, so much so that we wanted to give you the chance to get to know him before he disappeared again for a number of months.
Here Clint chats to us about writing for a living, his inspirations and not having creatures who sparkle in sunlight...Falcata Times: Writing is said to be something that people are afflicted with rather than gifted and that it's something you have to do rather than want. What is your opinion of this statement and how true is it to you?Clint L Werner: I’d say that statement is pretty much spot on. For as far back as I can remember I’ve enjoyed telling stories. Writing is simply the natural expression of that drive. After all, you can reach more people with the printed page than just about any other way.FT: When did you realise that you wanted to be a writer?CLW: I think the moment I realised I’d like to be a writer was after reading Sir Arthur Conan Doyle’s The Hound of the Baskervilles when I was in grade school. The book’s style impressed my young mind immeasurably and I think that it was then I first really tried my hand at writing, even doing a sixty page Sherlock Holmes story (which in hindsight was juvenile rubbish, but in my defence I was only ten). It was much later that I encountered Robert E Howard and H P Lovecraft, the two authors who really shaped my attempts at prose into something resembling professional material.FT: It is often said that if you can write a short story you can write anything. How true do you think this is and what have you written that either proves or disproves this POV?CLW: Short stories are an often underappreciated art form. They force a writer to be very economical in the way he tells his tale. You have to work with a more limited palate and bring out a single theme or capture a particular atmosphere with the story. Just take any of Doyle’s Sherlock Holmes stories or Howard’s Solomon Kane tales. They are as rich and evocative as many larger works because of the way the authors managed to suggest far more than they actually told the reader in the story. From my recent experience with ‘Wolfshead’, a Brunner short story I wrote for Death and Dishonour, I think the attention to detail necessary to pull off a short story is far more exacting than the vast vistas a full novel lets you explore. It’s a case of localizing the narrative from the overweight epic to something more everyday and intimate.FT: If someone were to enter a bookshop, how would you persuade them to try your novel over someone else's and how would you define it?CLW: I think the best way to pitch Warhammer novels is to explain what makes the Old World such a different setting. There’s really no other fantasy world out there with the same mixture of gothic darkness and black humour as what you find with Warhammer. In many ways, it owes more to history and genuine mythology than the wand-toting uber-wizards who infest much of the stuff sitting on shelves these days. And, of course, the vampires are still monstrous creatures of the night, not maudlin twerps who sparkle in sunlight.FT: How would you "sell" your book in 20 words or less?CLW: It would probably depend on the book. If I was pushing Grey Seer, I’d point out the book’s wonderful title character. ‘If you read only one book about a paranoid, megalomanical ratman sorcerer this year, then you must read Grey Seer’FT: Who is a must have on your bookshelf and whose latest release will find you on the bookshops doorstep waiting for it to open?CLW: Must haves on my bookshelf would be Doyle, Lovecraft and Robert E Howard, followed by Tolkien, Sax Rohmer and Bram Stoker. Currently I snap up every reprint of Walter B. Gibson’s The Shadow as they are released, but stories written back in the 1930’s might not quite be what you mean by current. About the only current author I follow rabidly would be Larry Niven – and I’m quite anticipating this year’s release of Man-Kzin Wars XII in paperback to fill out my collection.FT: When you sit down and write do you know how the story will end or do you just let the pen take you? ie Do you develop character profiles and outlines for your novels before writing them or do you let your idea's develop as you write?CLW: Outlines. Always outlines. The more detailed the better. I also do character profiles for the main cast before I write. That isn’t to say that sometimes a character won’t try to rewrite the story while I’m working on it. Brunner and Grey Seer Thanquol are particularly guilty of trying to hijack the narrative. But with a firm outline, you can steer the story back where it needs to go.FT: What do you do to relax and what have you read recently?CLW: For relaxation I watch old movies, particularly Spaghetti Westerns and old horror and sci-fi films. The last book I read was The Sky Walker, an adventure of The Avenger written by Paul Ernst back in 1939.FT: What is your guiltiest pleasure that few know about?CLW: Probably watching Ghost Hunters way too much.FT: Lots of writers tend to have pets. What do you have and what are their key traits (and do they appear in your novel in certain character attributes?)CLW: Currently I have an Asian House Gecko named The Shadow (after his penchant for escapes – the pet store was thrilled when I took him off their hands). His key traits are pretty much scrambling around on the underside of his cage screen, wagging his tail when he gets mad, and sitting in the feeding dish when he wants me to buy more crickets. Some of his qualities show up in the various habits of the lizardmen in Temple of the Serpent.FT: Which character within your latest book was the most fun to write and why?CLW: Oh, certainly Grey Seer Thanquol. It’s so fun to get inside his greedy, paranoid mind.FT: How similar to your principle protagonist are you?CLW: Probably more than is healthy.FT: What hobbies do you have and how do they influence your work?CLW: I read a lot of history, so I bring anything useful from that into my writing when I can. FT: Where do you get your idea's from?CLW: Anything I read, watch or listen to (I listen to a lot of old time radio programs) is liable to spur an idea. Often I’ll be watching something and think ‘hey, if they just did this different, what would happen?’FT: Do you ever encounter writers block and if so how do you overcome it?CLW: Absolutely. I usually get around it by skipping past the trouble scene and coming back to it later.FT: Certain authors are renowned for writing at what many would call uncivilised times. When do you write and how do the others in your household feel about it?CLW: I usually write very late at night. Typically everyone else is asleep anyway, so no harm done.FT: Sometimes pieces of music seem to influence certain scenes within novels, do you have a soundtrack for your tale or is it a case of writing in silence with perhaps the odd musical break in-between scenes?CLW: It depends on the book. When I write Brunner, I listen to Morricone’s western music scores. When I do Thulmann, I listen to soundtracks from Hammer horror films. The various Chaos novels I’ve written usually are done with Amon Amarth and other Viking Metal bands playing in the background.FT: What misconceptions, if any, did you have about the writing and publishing field when you were first getting started?CLW: Probably the fame and fortune bit…FT: If music be the food of love, what do you think writing is and please explain your answer?CLW: Writing would be the fuel for escape, the ability to slip out of the humdrum world and for a little while vanish into another.FT: What can you tell us about the next novel?CLW: The novel I am currently working on is about Wulfrik the Wanderer, a hero of the Chaos worshipping Norscans. It is a tale of violence and treachery as Wulfrik tries to escape his curse before it is too late. FT: What are the last five internet sites that you've visited?CLW: Let’s see here: Kaijuphile, DVD Drive-In, Amazon, Coast to Coast AM, and Rogue Blades EntertainmentFT: Did you ever take any writing classes or specific instructions to learn the craft? If so please let us know which ones.CLW: No, I can’t say I ever took any classes. I think the best instruction sheet for a writer is to read and learn from what he reads. Don’t just enjoy the story, but pick it apart, see what makes it tick, find the tools the author has used to put it together. That’s, I think, the best way to learn. Practice rather than theory.FT: How did you get past the initial barriers of criticism and rejection?CLW: I just kept trying. Keep sending stuff out and keep improving your style. It’s the only way to persevere. FT: In your opinion, what are the best and worst aspects of writing for a living?CLW: The worst aspect is certainly maintaining a day job until you can write for a living. The best thing about being an author is hearing somebody who enjoyed your book. That’s a mighty proud feeling.
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his is the dark saga of the ruthless bounty hunter who goes by the name of Brunner. Goblins, vampires, outlaws and even dragons - they're all fair game for this dark hero's blade. Across the length and breadth of the grim Warhammer Old World, Brunner plies his trade, tracking down and killing monsters. But he also faces challenges from within his own dubious profession as a rival hunter stakes a claim to his bounty.
REVIEW:
Everyone’s favourite Warhammer Bounty Hunter returns in this omnibus. What makes this double the fun however is that its Clint’s interpretation of the Man with No Name with no personal morals provided that the price is right on his quarry.
Its great value, its got a real antihero whom you’ll just love but above all else, the early tales are short offerings that make it a great title to dip into when you want a bit of no nonsense violence. Add to the mix that this title is fun, the tales are entertaining and absolutely no one is above this hunter’s sights backed up with a twisted sense of humour and it will not only endear the reader to this authors style but also demonstrates that a hard world breeds harder men. A real cracker.
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Ulrika, recently turned as a vampire, attempts to adjust to her new way of life. But when a fellow vampire is killed in Nuln, Ulrika and her mentor, Gabriella, are sent to investigate. Soon they find themselves facing danger from all sides as they attempt to solve a mystery that threatens the very existence of the Lahmian bloodline. How can they hope to destroy something with the power to kill a vampire?
REVIEW:
One of the best things about the Warhammer universe is that there’s something for everyone within. If you want combat driven novels you’ve got them. You want historical fiction you can delve into the Time of Legends series. However one thing that’s a bit unusual within the fantasy genre is the mystery novel. Whilst a bit more common over more recent years within this offering by Nathan Long is a crime against the vampires that everyone second favourite vamp (the first being Genevive) Ulrika is brought into to solve. Who’s Ulrika? She’s the Boyar’s daughter from the Felix and Gotrek tales.
It is a cracking tale however to be honest I had a hard time getting into it from its initial opening. Partly this is due to my own personal feelings that the author didn’t have a good enough grip of her originally and partly because the connection between reader and character was also missing. Yet get past this and it really opens up. Other than this its interesting, the mystery is gripping and its not an obvious conclusion as you’d perhaps expect from a great many other offerings out there. A definite change of pace for Nathan and I hope he continues to build upon the opening here.
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It's a miracle, pure and simple. The miracle of twin birth. But in the city of Norchester, being a twin also marks you out as a victim. Because someone is killing them and stealing their body parts. It's up to Inspector Roy Mason and his Sergeant, Deborah Harrison, to track down the the culprit before they can strike again.
REVIEW:
As a fan of Paul’s futuristic Afterblight series from Abaddon, when I heard about this new offering from new publisher Screaming Dreams, I was more than happy to give it a go. What you get within this offering are characters who jump of the page, some great dialogue and a plot that’s as twisted as this authors mind can conceive which only adds to this reading experieince. Dressed up as a traditional crime novel, it’s the way in which the author has managed to blend Urban Fantasy, a touch of Sci-Fi and mixed it all up with a wicked sense of humour.
It’s a cracking title and one that I really had a blast reading. Definitely a title for people to give a go and if the other releases from this publisher are as tempting as this then they’ve got a secure future ahead. Top quality for a great price.
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When the world of Armageddon is attacked by orks, the Black Templars Space Marine Chapter are amongst those sent to liberate it. Chaplain Grimaldus and a band of Black Templars are charged with the defence of Hive Helsreach from the xenos invaders in one of the many battlezones. But as the orks numbers grow and the Space Marines dwindle, Grimaldus faces a desperate last stand in an Imperial temple. Determined to sell their lives dearly, will the Black Templars hold on long enough to be reinforced, or will their sacrifice ultimately be in vain.
REVIEW:
Having been impressed with Aaron’s writing previously I was looking forward to this novel as he has a pretty nifty style of writing. Here in Helsreach you can tell that he’s improving all the time, so much so in fact, that this novel is written in the style of an old soldier. It keeps the descriptive to a minimum as most readers don’t need it embellished upon, only to get the facts and figures along with the glorious combat sequences that he’s becoming well known for.
Add to the mix a damn high body count (including God Machines) and you know that its not only going to be a bloody as well as brutal fight for the world but also that he won’t hold back leaving chapters weak in its wake. Great stuff from a rising star of the Black Library and one that will definitely win him some more 40k fans.
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Two murders, days apart but clearly linked. Each victim has had the tips of their fingers removed with a hacksaw. The killer is sending a message and wants his next victim to know who they are - and be very afraid. But beside the gruesome nature of their deaths there is no obvious connection between the two victims. Reuben Maitland, freshly returned to GeneCrime, must investigate the case. The forensics come in, DNA is sampled, the clues begin to mount up. Then the killer strikes again. Reuben's young son, Joshua, is snatched from his pram. The murderer sends Reuben a message: 'Stop hunting me. I will kill again, a third and final victim and you must not stop me. Come after me and your son will die.' If your child was kidnapped, how far would you go to get them back?
REVIEW:
John Macken is a good solid crime writer who brings morals, doubts as well as great plot lines to the readers. Here in his latest outing (his fourth) with Reuben Maitland as principle protagonist, the reader gets to see the softer side of the character as he has to fight his inner turmoil and think clearly in order to rescue his son. Thought provoking and at times anguish filled this offering is, in my opinion, John’s strongest offering to date and as such a must own crime novel. I will be surprised if its not nominated for a few awards as the author braves a track that whilst others have travelled within their own titles, they’ve not done it with as much gut churning anguish or concentration that is becoming Macken’s own indomitable style.
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As the great powers of Europe fight over the spoils of slavery, corruption and greed, the golden age of piracy is born.
Sold by his father as a child for four guineas, captain’s servant Patrick Devlin knows how cheap a man’s life can be.
But his instinct for survival is strong, and when his master’s ship is sunk by pirates, Devlin makes his choice – to trade his servile existence for a life of dangerous liberty. As he learns to adapt to his brutal new world, he watches men who would once have been his masters fall dead at his feet. Eventually, he finds himself captain of the very ship that took down the vessel of the man he once served – Captain John Coxon – who, disgraced and dissatisfied, hungers to return to the sea and take his revenge.
And when His Majesty’s Government and the East India Company hear of the Pirate Devlin, and that he is in pursuit of a secret French cargo of gold bullion, it is Coxon they send to bring his former dog to heel.
REVIEW:
Historical Fiction often dabbles in certain time periods although some are more popular than others. Here in this offering is a naval tale in the spirit of Pirates of the Caribbean but darker with a more antihero protagonist than the usual rogue with a heart of gold.
Well written, with cracking naval action backed up by the authors love that whilst taking certain liberties with some of the vessels is purely in keeping in the entertainment area for the modern reader. It’s a good bit of fun, its got some great dialogue but most of all the Pirate Devlin is one that will make many a reader want to sale the high sea’s with. Great entertainment backed up with a crew of rogues that the reader will love to spend time around. Now pass the rum you scurvy dog.
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